IDENTITY
Mirroring lichens’ sentient behaviour in relationship to their natural surroundings to the human embryonic development, which first response to its foetus’ environment is generating fingerprints with unique identity.
Overview of Identity interactive multimedia installation (detail)
Participants’ thermal labels adhesive fingertips’ prints (detail)
Video mix of the thermal printer in action and various participants interacting with Identity installation (extract)
Interactive multimedia installation
In Identity (2024) he audience’s tangible engagement with their own physical relationship to the surrounding environment mirrors the lichens’ natural behaviour.
This mirrors to human embryonic development in which the formation of human fingerprints is generated through the foetus' response to its environment.
Every ridge on the fingerprint has a unique identity, formed by a combination of the symbiotic relationship between the amniotic fluid’s pressure across the surface of the hand, the fingers growth, and other external responses.
The sound of a heartbeat is played to represent the primordial, womb-like habitat.
Visitors are invited to press their fingertips on the allocated surface and scan their fingerprints, which will then be shown onto the digital screen and be printed in the gallery room on thermal rolling labels.
The printed labels highlight the fingerprint textures, which reminds us that the magnified morphology of lichens and the human fingerprint have a common biological origin.
These physical mementoes can either be left behind, forming a collective paper sculpture, or sent home by the artist, after the exhibition has ended, as a reminder of being part of a biofield identity.
Artwork details
| Artwork | Identity (2024) |
| Material | Mixed media, digital industrial microscope, thermal printer and labels, adjustable prop steel scaffolding, galvanised tube, Max patch, laptop, mp3 sound, wi-fi speakers and iPod |
| Dimensions | 250 (L) x 250(W) x 286(H) cm |
| Exhibition |
Marta Ferracin: Convergences
Incinerator Art Space, Willoughby City Council, Willoughby, AU 21 March - 14 April Artist talk 6 April Workshop 13 April |
| Links | Willoughby City Council Art Collector Willoughby Community Preschool |
Credits
Soundtrack
myNoise_InUtero
Activation design
Chris Daniel
Photos and video
Corey Rankin; Christopher Verheyden; courtesy of the visitors
Provision of Incinerator Art Space
Willoughby City Council
© Marta Ferracin 2025 Website by Natalia
Installation assistant Christopher Verheyden